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Charles Lallemand, who founded Champ d'Asile), and songwriter-poet Jean Béranger (who wrote a popular song about Champ d'Asile). In Paris he associated with the opposition coalition in the studio of military artist and fashion illustrator Horace Vernet, where he met artist Théodore Géricault, the Baroness Caroline Lallemand (wife of exiled baron Gen. His maritime experience during the First Empire should have qualified him for a responsible position in the French navy, but that was impossible during the Restoration. When Napoleon abdicated, the British freed their prisoners and Garneray returned to Paris. He spent from 1806 until 1814 in the harbor at Portsmouth imprisoned on various pontons (prisons made from the hulks of disabled French ships moored in the mud), but somehow managed to paint and sell his work for a pittance. After leaving home at thirteen to sail, he quickly discovered that the captains wanted him to depict their brave deeds, which he did until he was captured by the English in 1806. Louis Garneray wrote three popular autobiographies recounting his adventurous double career as a sailor, sometimes corsair, and artist. Sometimes it is difficult to attribute works to a single member of the Garneray family. Although Madame Cabanne painted flowers, as was expected of women at that time, she also contributed to the production of her father and brother Auguste by finishing their paintings and making copies for them. Garneray taught all of his children: Ambroise Louis (1783–1857), Auguste Siméon (1785–1824), Hippolyte Jean Baptiste (1787–1858), and Pauline Garneray Cabanne (?-?). He was a versatile artist who prepared governmental portraits, designed uniforms, and recorded interiors as well as displaying creative works at the annual salons.
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Jean François Garneray, a student of Jacques Louis David, is remembered for his portrait of Charlotte Corday at her trial for the murder of Marat. The ephemeral Texas colony was a short-lived disaster that vanished entirely in less than a year, but the art and literature of the Parisian subscription campaign long outlived the colony and contributed to the development of a Texas myth in nineteenth-century France. Helena may have also figured in the colony's agenda. Invading Mexico and rescuing Bonaparte from Ste. Various members of this opposition promoted the Texas colony at Champ d'Asile in 1818–19 in an attempt to force the government of Louis XVIII to lift its ban on imperial officers. At least one of his sons became involved with the opposition coalition that formed in France during the restored Bourbon monarchy (1814–30) in reaction to the "white terror" of 1815, when the government of Louis XVIII executed or exiled Napoleon's family and officers after the battle of Waterloo. French painter Jean François Garneray (1755–1837) had four children, three sons and one daughter, who also became artists.